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The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ⓘ), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786.
The play formed the basis for an opera with a libretto by Lorenzo Da Ponte and music by Mozart, also called The Marriage of Figaro (1786). In 1799, another opera based on the same play, La pazza giornata, ovvero Il matrimonio di Figaro, was produced in Venice with libretto by Gaetano Rossi and music by Marcos Portugal.
What a gentle little Zephyr) is a duettino, or a short duet, from act 3, scene X, of Wolfgang Amadeus Mozart's 1786 opera The Marriage of Figaro, K. 492, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano ) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot ...
Filmmaker James Gray, who is directing a new production of 'The Marriage of Figaro' at L.A. Opera, returns Mozart to his 18th century milieu.
The cavatina " Se vuol ballare" is an aria for bass from the first act of the opera The Marriage of Figaro by Wolfgang Amadeus Mozart. The libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784). The Italian title means "If you want to dance".
Non più andrai" (You shall go no more) is an aria for bass from Mozart's 1786 opera The Marriage of Figaro, K. 492. The Italian libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784). It is sung by Figaro at the end of the first act. [1]
Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera The Marriage of Figaro, composed 30 years earlier in 1786, is based on the second part of the
Largo al factotum" (Make way for the factotum) is an aria (cavatina) from The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of operatic singing.
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