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Audio compression may refer to: . Audio compression (data), a type of lossy or lossless compression in which the amount of data in a recorded waveform is reduced to differing extents for transmission respectively with or without some loss of quality, used in CD and MP3 encoding, Internet radio, and the like
Transparency, like sound or video quality, is subjective. It depends most on the listener's familiarity with digital artifacts, their awareness that artifacts may in fact be present, and to a lesser extent, the compression method, bit rate used, input characteristics, and the listening/viewing conditions and equipment. Despite this, sometimes ...
Left side of the image is from a low-quality JPEG image, showing lossy artefacts; the right side is from a PNG image. In information technology , lossy compression or irreversible compression is the class of data compression methods that uses inexact approximations and partial data discarding to represent the content.
Audio file icons of various formats. An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression.
In contrast, lossy compression (e.g. JPEG for images, or MP3 and Opus for audio) can achieve much higher compression ratios at the cost of a decrease in quality, such as Bluetooth audio streaming, as visual or audio compression artifacts from loss of important information are introduced.
The objective of the algorithm is to represent the high-fidelity audio signal with a minimum number of bits while retaining quality. This can effectively reduce the storage space and the bandwidth required for transmission of the stored audio file. Most software codecs are implemented as libraries which interface to one or more multimedia players.
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Like any lossless compression scheme, Monkey's Audio format takes up several times as much space as lossy compression formats - typically, about twice as much as a 320 kbit/s bitrate MP3 file. The upside is that no data is lost compared to the input file, making lossless codecs suitable for transcoding, or simply taking up approximately half as ...