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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
Church Gospel Songs and Hymns, V.E. Howard Publishing (1983) Hymns for Worship (Revised in 1994 with a couple hundred more selections), R.J. Stevens publishing (1987) Praise for the Lord, John P. Wiegand (1992) Songs of Faith and Praise, Alton Howard publishing (1993) Sacred Songs of the Church, W. D. Jeffcoat, Psallo Publications (2007)
Almost all Catholic liturgical music composed before the middle of the 20th century, including thousands of settings of the ordinary of the mass (Gloria, Credo, Sanctus, Agnus Dei), the ordinary and proper of the Requiem mass, psalms, canticles (such as the Magnificat), antiphons, and motets. Famous examples include:
The Mass was well received by many US Catholic cleric and is said to have furthered their acceptance of Sacrosanctum Concilium. [4] Mary Lou Williams, a Black Catholic composer, had completed her own Mass, Black Christ of the Andes (also known as Mary Lou's Mass) in 1962 and performed it that November at St. Francis Xavier Church in Manhattan.
The Lutheran Michael Praetorius composed a mass for double choir in the old style, which he published in 1611 in the collection of church music for the mass in Latin, Missodia Sionia. Composers such as Henri Dumont (1610–1684) continued to compose plainsong settings, distinct from and more elaborate than the earlier Gregorian chants. [4]
Canticle Six — The Prayer of Jonah (Jonah 2:2–9) Canticle Seven — The Prayer of the Three Holy Children (Daniel 3:26-56) [5] Canticle Eight — The Song of the Three Holy Children (Daniel 3:57-88) [5] Canticle Nine — The Song of the Theotokos (the Magnificat: Luke 1:46–55); the Song of Zacharias (the Benedictus Luke 1:68–79)
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These sections, the "proper" of the mass, change with the day and season according to the church calendar, or according to the special circumstances of the mass. The proper of the mass is usually not set to music in a mass itself, except in the case of a Requiem Mass , but may be the subject of motets or other musical compositions.