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La técnica cubana, often abbreviated as técnica, is a form of Cuban contemporary dance that was founded by Ramiro Guerra Suarez in Cuba in 1959. [1] Unlike other forms of traditional Cuban dance, técnica fuses many different dance forms together, such as those from Africa, Europe, and North America.
The danzón developed in 1879, and has been an important root for Cuban music up to today. Its precursor is the habanera, which is a creolized Cuban dance form. The danzón was developed, according to one's point of view, by either Manuel Saumell [ 5 ] or Miguel Faílde in Matanzas .
Canción ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate. [1] Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz. Initially, even when written by the creole population of Cuba ...
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199).
In the case of Cuban music, some of its most popular musical genres may be considered within the boundaries of the previous definition. The first Cuban popular music genres that emerged to the public awareness at the beginning of the 19th century, known as Punto cubano and Zapateo, [6] were created by peasants without any formal musical ...
Tumba francesa is a secular Afro-Cuban genre of dance, song, and drumming that emerged in Oriente, Cuba.It was introduced by slaves from the French colony of Saint-Domingue (which would later become the nation of Haiti) whose owners resettled in Cuba's eastern regions following the slave rebellion during the 1790s.
[8] p181 Aside from rural music and Afro-Cuban folk music, the most popular kind of urban Creole dance music in the 19th century was the contradanza, which commenced as a local form of the English country dance and the derivative French contredanse and Spanish contradanza. While many contradanzas were written for dance, from the mid-century ...
Congolese bands started doing Cuban covers and singing the lyrics phonetically. Soon, they were creating their original Cuban-like compositions, with lyrics sung in French or Lingala, a lingua franca of the western Congo region. The Congolese called this new music rumba, although it was based on the son. The Africans adapted guajeos to electric ...