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Williams, without having seen any footage from the film, composed the first draft of "Hedwig's Theme" for the short, which he presented to Columbus on piano. [5] [6] But when I heard the Potter theme, John [Williams] played it for me on the piano. He just plunked out [hums Harry Potter Theme], and I thought, 'This is the guy'…
Theme Description Scores heard in Hedwig's Theme [4] The dominant theme closely identified with and prominently used in all eight Harry Potter films. Though titled "Hedwig's Theme", it does not always specifically represent Hedwig, but rather the wider idea of magic and the Wizarding World franchise. Its concert suite is frequently performed by ...
"Hedwig's Theme" has been interpolated in the fourth through eighth Harry Potter film scores, including in those by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat and the spin-off Fantastic Beasts scores by James Newton Howard. It also appears in the scores to the last four Harry Potter video games, all composed by James Hannigan ...
The celesta (/ s ɪ ˈ l ɛ s t ə /) or celeste (/ s ɪ ˈ l ɛ s t /), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave ), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave).
The music was orchestrated for a conventional large orchestra - e.g. the end credits is written for 3 flutes, 2 oboes, 2 clarinets, 3 bassoons, 4 horns in f, 3 trumpets, 3 trombones, 1 tuba, percussion section, 1 harp, 1 piano and string section. Other cues call for additional instruments such as celeste and organ.
Hooper incorporated "Hedwig's Theme", the series' theme originally written by John Williams for the first film and heard in all subsequent entries, into the score. [2]In March and April 2007, Hooper, conductor Alastair King and a 90-piece of the Chamber Orchestra of London recorded nearly two hours of music at Abbey Road Studios in London with orchestrations provided by King, Geoff Alexander ...
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