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The Dance of the Seven Veils is the dance performed by Salome before King Herod Antipas in modern stage, literature, and visual arts. [2] It is an elaboration on the New Testament story of the Feast of Herod and the execution of John the Baptist , which refers to Salome dancing before the king, but does not give the dance a name.
Illustration for Salome, by Manuel Orazi. A biographer of Wilde, Owen Dudley Edwards, comments that the play "is apparently untranslatable into English", citing attempts made by Lord Alfred Douglas, Aubrey Beardsley, Wilde himself revising Douglas's botched effort, Wilde's son Vyvyan Holland, Jon Pope, Steven Berkoff and others, and concluding "it demands reading and performance in French to ...
Salome's dance (which is never described) overpowers Iokanaan's prophecies, and Salomé herself dies due to Herod's command to crush her. As Bucknell writes of Salomé's dance, "The power of the word is inverted, turned back upon its possessors, the prophet and the ruler-figure of the tetrarch."
After Salome inquires into his promise, and he swears to honor it, she prepares for the "Dance of the Seven Veils". This dance, very oriental in orchestration, has her slowly removing her seven veils, until she lies naked at his feet. Salome then demands the head of the prophet on a silver platter. Her mother cackles in pleasure.
Usually the moment shown is the arrival of the head on the platter at the table, carried by Salome. Sometimes the execution itself is shown as a subsidiary scene. The dance of Salome is less often shown before the 19th century; it became more popular after Oscar Wilde's play Salome of 1891, which invented the term Dance of the Seven Veils.
Salome with John the Baptist's head, by Charles Mellin (1597–1649). Salome (/ s ə ˈ l oʊ m i, ˈ s æ l ə m eɪ /; Hebrew: שְלוֹמִית, romanized: Shlomit, related to שָׁלוֹם, Shalom "peace"; Greek: Σαλώμη), [1] also known as Salome III, [2] [note 1] was a Jewish princess, the daughter of Herod II and princess Herodias.
A director prepares a troupe of flamenco dancers for a production of the biblical story of Salome. He summarizes the story and describes his spring for the drama's action: Salomé's attraction to John the Baptist. When the prophet rejects her, she seeks revenge. We are witnessing the working sessions with the musician, the choosing of the costumes.
Salome is a 1953 American drama Biblical film directed by William Dieterle and produced by Buddy Adler from a screenplay by Harry Kleiner and Jesse Lasky Jr. The music score was by George Duning , the dance music by Daniele Amfitheatrof and the cinematography by Charles Lang .