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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
In some cases, apparent religious images have been deliberately created from natural materials as part of an artistic endeavor or investigation into the phenomenon of perceptions of religious imagery. The "Pope Tart" was a hoax apparition created by Karen Stollznow in 2005 as part of an investigation into pareidolia for The Skeptic in Australia.
The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
Human emotions are subject to time, space, and circumstance. God's emotions are always in keeping with God's character as described by the scriptures and in the person of Jesus Christ, according to Christian scholars and the Bible. A few examples are found in Genesis, chapter 8, in the account of the Flood.
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
Christian scholars believed both Testaments were equally inspired divinely by God and sought to understand the differences between Old Testament and New Testament laws. [ 11 ] Medieval scholars believed the Old Testament to serve as an allegory of New Testament events, such as the story of Jonah and the whale, which represents Jesus' death and ...
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Emile Mâle, The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions), ISBN 978-0064300322; Young, Brian. The Villein's Bible; Stories in Romanesque Carving, 1990, Barrie & Jenkins, ISBN 0-7126-3888-1