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Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
Particularly ornate spirit screens featuring a dragon motif are the Nine-Dragon Walls that can be found in imperial palaces and gardens. Spirit screens are tied to the belief that evil spirits ( Chinese : 鬼 ; pinyin : guǐ ) cannot move around corners, hence the spirit screen blocks them from entering through the gate they shield.
Modern wallpaper is made in long rolls which are hung vertically on a wall. Patterned wallpapers are designed so that the pattern "repeats", and thus pieces cut from the same roll can be hung next to each other so as to continue the pattern without it being easy to see where the join between two pieces occurs.
As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are:
The Pibo likely originated from Persian kingdoms in West Asia and potentially influenced by Hellenistic culture.It was possibly introduced to China via the Silk Road.It was particularly popular during the Sui and Tang Dynasty, where the silk pibo can be found both in the Western regions of Dunhuang and Turpan and the central region of Chang'an, reflecting the vibrant silk trade during that time.
Xiangyunsha silk (traditional Chinese: 香雲紗; simplified Chinese: 香云纱; pinyin: Xiāng-yún-shā) or Gambiered Guangdong silk [1] is a type of silk originating in the 5th century [2] from Guangdong province (also known as Canton) in China [1] that is created by dyeing silk with gambier juice and covering it in soil [3] from the Pearl River, [4] resulting in a copper color on one side ...
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