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Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology.
These errors are termed artifacts (or sound/sonic artifacts), and may be pleasing or displeasing. A sonic artifact is sometimes a type of digital artifact , and in some cases is the result of data compression (not to be confused with dynamic range compression , which also may create sonic artifacts).
Music archaeology is an interdisciplinary field with multifaceted approaches, [6] falling under the cross section of experimental archaeology and musicology research. [7] Music archaeology research aims to understand past musical behaviors; this may be done through methods such as recreating past musical performances, or reconstructing musical instruments from the past.
Sonic artifact, in sound and music production, sonic material that is accidental or unwanted, resulting from the editing of another sound. Visual artifact, in imaging, any unwanted visual alteration introduced by the imaging equipment. Compression artifact, in computer graphics, distortion of media by the data compression.
A SoundFont bank also contains other music synthesis parameters such as loops, vibrato effect, and velocity-sensitive volume changing. SoundFont banks can conform to standard sound sets such as General MIDI , or use other wholly custom sound-set definitions like Roland GS and Yamaha XG .
Archaeoacoustics is a sub-field of archaeology and acoustics which studies the relationship between people and sound throughout history.It is an interdisciplinary field with methodological contributions from acoustics, archaeology, and computer simulation, and is broadly related to topics within cultural anthropology such as experimental archaeology and ethnomusicology.
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Beat induction is the process in which a regular isochronous pulse is activated while one listens to music (i.e., the beat to which one would tap one's foot). It was thought that the cognitive mechanism that allows us to infer a beat from a sound pattern, and to synchronize or dance to it, was uniquely human.