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The term claymore is an anglicisation of the Gaelic claidheamh-mòr "big/great sword", attested in 1772 (as Cly-more) with the gloss "great two-handed sword". [3] The sense "basket-hilted sword" is contemporaneous, attested in 1773 as "the broad-sword now used ... called the Claymore, (i.e., the great sword)", [4] although OED observes that this usage is "inexact, but very common".
Scottish swords continued to use the more traditional "V" cross-guards that had been on pre-Norse Gaelic swords, culminating in such pieces as the now famous "claymore" design. This was an outgrowth of numerous earlier designs, and has become a symbol of Scotland.
A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
A common weapon among the clansmen during the Jacobite rebellions of the late 17th and early 18th centuries was the Scottish basket hilted broadsword, commonly known as claidheamh mor or claymore meaning "great sword" in Gaelic. British Major Jack Churchill (far right) leads commandos during a training exercise, sword in hand, in World War II.
The Scottish and Irish warrior Alasdair Mac Colla is sometimes credited with inventing the Highland charge during the Wars of the Three Kingdoms [1] to meet a particular set of battlefield challenges. [2] It was initially known as the Irish charge, due to the Irish component of Alasdair Mac Colla's Royalist military invasion of Covenanter Scotland.
Claymore, Scottish Gaelic for "great sword" (Scottish, European) Dadao (Chinese) Executioner's sword, heading sword, sword of justice (European) Flame-bladed sword, flambard, flammard, flammenschwert (European) Katana (Japanese) Longsword, bastard sword, espée bastarde, hand and a half sword (European) Nagamaki [4] (Japanese) Nodachi, Ĺdachi ...
The 2022 Edinburgh Military Tattoo pipes and drums. The term tattoo derives from a 17th-century Dutch phrase doe den tap toe ("turn off the tap") a signal to tavern owners each night, played by a regiment's Corps of Drums, to turn off the taps of their ale kegs so that the soldiers would retire to their billeted lodgings at a reasonable hour. [1]
Every kerne had a bow, a "skieve" or quiver, three spears, a sword, and a skene or sgian (Irish scian or Scottish Gaelic sgian), each two of them having a lad to carry their weapons. The horsemen had two horses apiece, some three, the second bearing the "knave" or his attendant.