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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
All Music Guide to the Blues: The Definitive Guide to the Blues. San Francisco, California: Backbeat Books. ISBN 0-87930-736-6. Harrison, Daphne Duval (1990). Black Pearls: Blues Queens of the 1920s. New Brunswick and London: Rutgers. ISBN 0-8135-1280-8. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray.
It won a Grammy Award for Best Contemporary Blues Album in 2003, [2] [3] and also won a W. C. Handy Award as the Soul/Blues Album of the Year from the Blues Foundation in 2004. [ citation needed ] Professional ratings
Lovely to See You: Live is a two-disc live album by The Moody Blues. Released on 15 November 2005, Lovely to See You: Live was recorded at a performance at the Greek Theater in Los Angeles, California. The album is named after The Moody Blues song "Lovely to See You", from their 1969 album On the Threshold of a Dream.
The Piedmont blues (also known as Piedmont fingerstyle) is a type of blues music, characterized by a unique fingerpicking method on the guitar in which a regular, alternating-thumb bassline pattern supports a melody using the treble strings. [1] The result is comparable in sound to ragtime or stride piano styles. [1]
All songs written and arranged by Tom Keifer except, "If You Don't Like It" and "Hot and Bothered", by Keifer and Eric Brittingham. "Night Songs" – 4:12 "Shake Me" – 3:44
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues."