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Romeo, an only child like Juliet, is one of the most important characters of the play and has a consistent presence throughout it. His role as an idealistic lover has led the word "Romeo" to become a synonym for a passionate male lover in various languages. Although often treated as such, it is not clear that "Montague" is a surname in the ...
The Romeo and Juliet effect describes the intensification of romantic feelings in relationship when met by parental opposition, as coined by British actor and director Richard Driscoll [1] referencing the protagonists of the William Shakespeare play Romeo and Juliet, whose families were opposed to their union.
Due to his reckless and flamboyant personality, Mercutio is one of Shakespeare's most popular characters. Mercutio is the instigator of many fights with his rather mean spirited humor, and often insults Tybalt, a renowned swordsman. It is Tybalt's temper that leads to Mercutio's death, and Romeo's banishment and the tragedy that follows.
Friar Laurence is a friar who plays the part of a wise adviser to Romeo and Juliet, along with aiding in major plot developments.. Alone, he foreshadows the later, tragic events of the play with his soliloquy about plants and their similarities to humans. [1]
Tybalt, meanwhile, still incensed that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalt's insolence, as well as Romeo's "vile submission", [1] and accepts the duel on Romeo's behalf. Mercutio is fatally wounded when Romeo attempts to ...
Castellani's most prominent changes related to Romeo's character, cutting back or removing scenes involving his parents, Benvolio and Mercutio in order to highlight Romeo's isolation, and inserting a parting scene in which Montague coldly pulls his banished son out of Lady Montague's farewell embrace. [61]
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Bandello emphasises Romeo's initial depression and the feud between the families, and introduces the Nurse and Benvolio. Bandello's story was translated into French by Pierre Boaistuau in 1559 in the second volume of his Histoires Tragiques. Boaistuau adds much moralizing and sentiment, and the characters indulge in rhetorical outbursts. [2]