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When Satan was cast out of Heaven, he "excavated the underworld cosmos in which the damned are held". [3] Satan's punishment is the opposite of what he was trying to achieve: power and a voice over God. Satan also is, in many ways, "the antithesis of Virgil; for he conveys at its sharpest the ultimate and universal pain of Hell: isolation."
" Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno. The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it. Modern commentators on the Inferno view it as some kind of demonic invocation to Satan. [1] [2]
Illustration of the Devil on Codex Gigas, early thirteenth century. Satan, [a] also known as the Devil (cf. a devil), [b] is an entity in Abrahamic religions who seduces humans into sin (or falsehood). In Judaism, Satan is seen as an agent subservient to God, typically regarded as a metaphor for the yetzer hara, or 'evil inclination'.
The engraving of Satan Presiding at the Infernal Council illustrates the debate among Satan's "Stygian Council" in the council-chamber of Pandæmonium at the beginning of Book II of Paradise Lost. In the engraving, Satan is depicted enthroned at the heart of the hall of his Palace of Pandæmonium, at the centre of a rotunda filled with ...
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]
The Malebranche (Italian: [ˌmaleˈbraŋke]; "Evil Claws") [1] are the demons in the Inferno of Dante's Divine Comedy who guard Bolgia Five of the Eighth Circle . They figure in Cantos XXI, XXII, and XXIII. Vulgar and quarrelsome, their duty is to force the corrupt politicians to stay under the surface of a boiling lake of pitch.
The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.