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The title of "Saul Gone" is a play on the words "s'all gone" and Saul Goodman's name, itself a play on the phrase "it's all good, man". [20] The episode, season, and series ends with Gene Takavic getting caught by the authorities and, under his legal name of Saul Goodman, getting sentenced to prison for the crimes he committed in Breaking Bad.
The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Granite State" marked the final appearance of Saul Goodman (played by Bob Odenkirk), as he flees to Nebraska. Odenkirk returned as Saul in the spin-off prequel to Breaking Bad, Better Call Saul. In the episode, Saul tells Walt, "if I'm lucky, a month from now, best-case scenario, I'm managing a Cinnabon in Omaha."
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
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The episode centers on Jimmy McGill (Bob Odenkirk) being forced to use his fast-talking "Saul Goodman" legal personality to arrange for the release of Domingo Molina (Max Arciniega) from prison at the request of Lalo Salamanca (Tony Dalton), while Kim Wexler (Rhea Seehorn) is pulled off her pro bono public defense work to deal with a stubborn ...