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Unlike some lifting-keel designs, the Matilda 20 can be sailed with the keel in any position as the occasion demands. Worst features: Access to the forward V-berth is through the curtain-enclosed head area, a minor inconvenience." [3] In a review Michael McGoldrick wrote, "the Matilda 20 has a very wide beam for a 20 footer.
In a 2010 review Steve Henkel wrote, "the Com-Pac 25 offers accommodations for five, 5' 10" headroom, a big folding galley table that flips down from the bulkhead, and a private enclosed head. She has an 8' 6" beam, which is wider than her comps, but still road-legal in the United States.
The film is an example of a uchronie, or alternate history, and of a psychodrama. [1] It was shot in the observational documentary style using hand-held cameras. Watkins heightened realism by using amateur actors, improvisation, and newsreel camera techniques, but he also had rigid control over editing to guarantee audience involvement and the clear expression of his personal vision.
The Pearson Lark, also called the Lark 24, is an American trailerable sailboat that was designed by William Shaw as a cruiser and first built in 1966. [ 1 ] [ 2 ] [ 3 ] The Lark design was developed into the Pearson 24 in 1967.
The Parker Dawson 26 is an American trailerable sailboat that was designed by Robert Finch as a cruiser and first built in 1972. [1] [2] [3] [4]The design has been sold by a number of different manufacturers under several names, including the Midship 25, Dawson 25, Nauset 26 and Bombay 26.
There is an enclosed head. The cabin has teak trim and a holly sole, plus standing headroom. [5] There are two jib sheet winches in the cockpit, bronze deck hardware and an anchor roller mounted on the bow. Many different sail combinations were sold, including jibs, genoas, drifters, yankees and a spinnaker. [5]
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