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At the sale of his work in 1864, 9140 works were attributed to Delacroix, including 853 paintings, 1525 pastels and water colours, 6629 drawings, 109 lithographs, and over 60 sketch books. [40] The number and quality of the drawings, whether done for constructive purposes or to capture a spontaneous movement, underscored his explanation ...
The Picador is an 1832 watercolor painting by the French Romantic painter Eugène Delacroix, showing the 'tercio de pique' or third phase of a bullfight.It is held in the department of prints and drawings at the Louvre with other drawings of bullfights by the same artist, notably Picador and Chuletillo (lead pencil, 1832).
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Most artists in the collection are represented with only one or two works, but some artists are represented with many many more; for example artists with over 50 works catalogued are Théodore Chassériau, Jean-Baptiste Camille Corot, Eugène Delacroix, Jean-Auguste-Dominique Ingres, Eustache Le Sueur, Peter Paul Rubens, and Pierre-Henri de ...
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]
A Young Tiger Playing with its Mother is an 1830–1831 painting by French artist Eugène Delacroix depicting two enormous tigers "playing" with each other. Painted early in his career, it shows how the artist was attracted to animal subjects in this period. [ 1 ]
Tiger with a Tortoise (1862) by Eugène Delacroix Tiger with a Tortoise or Tiger Playing with a Tortoise is an 1862 oil-on-canvas painting by the French Romantic artist Eugène Delacroix . It was sold by Christie's in New York for $9,875,000 in May 2018.
Ovid Among the Scythians is the title of two oil paintings by the French artist Eugène Delacroix, executed in 1859 and 1862.The less famous second version was painted to integrate the figures and landscape and rectified the problems of scale of the first version, which had an unusual composition and strange scale of the characters, provoking negative criticism, even among Delacroix's admirers ...
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