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The Casa de Murillo is a historical house in Seville, Andalusia, Spain, at number 8, calle Santa Teresa, in the historic Barrio de Santa Cruz. It was the home of the painter Bartolomé Esteban Murillo (1617–1682) in the latter years of his life.
Saint Justa and Saint Rufina is one of the paintings made to decorate the church of the Capuchin Convent in Seville. The Seville Cathedral had suffered much damage during earthquakes over the centuries, and there was a popular belief at the time that intercession to the sister saints Justa and Rufina saved the Giralda , the cathedral's bell ...
According to Juan Agustín Ceán Bermúdez, the work was commissioned from Bartolomé Esteban Murillo by Justino de Neve (1625–1685). De Neve was a canon of Seville Cathedral and ecclesiastical president of the Hospital de los Venerables in Seville. He commissioned the painting for his personal collection, and donated it to the chapel at the ...
During the French occupation of Seville in the Peninsula War, the cathedral treasury was sacked by troops under Nicolas Jean-de-Dieu Soult. Murillo's Immaculate Conception and Birth of the Virgin were taken and Vision was almost also taken, but the town council proposed exchanging it for Nativity of the Virgin and so it remained in the chapel. [1]
La Colasal Immaculate Conception (c. 1645-1655) by Bartolomé Esteban Murillo. The La Colasal Immaculate Conception is a c. 1645-1655 oil on canvas painting by Bartolomé Esteban Murillo in the Museum of Fine Arts of Seville. [1] [2] [3]
Madonna and Child of the Napkin (c. 1666) by Bartolomé Esteban Murillo. Madonna and Child of the Napkin or Our Lady of the Napkin is an oil on canvas painting by Bartolomé Esteban Murillo, created c. 1666, as part of the altarpiece of the church of the Capuchin monastery in Seville and now in the Museum of Fine Arts of Seville. [1]
The Immaculate Conception of San Vicent is a c. 1640-1645 oil on canvas painting by Bartolomé Esteban Murillo, now in the parish church of San Vicente Mártir in Seville. The work has been in the church's sacristy since at least the mid 19th century and remained practically unnoticed until 2019, when its restoration was completed and it was ...
This is one of the most important works in the artistic production of Murillo, who based himself on models of daily life in Andalusia to create the painting. Apart from the presence of angels and the halo of the Virgin, there is no other clue showing that this is a painting with a religious theme.