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Once in a Lifetime: The Best of Talking Heads is a compilation album by Talking Heads, released in 1992. The single disc version of Sand in the Vaseline: Popular Favorites , it was released outside of the US and UK in place of that album.
LS2 may refer to: The GM LS engine; The Rolladen-Schneider LS2 glider; Postcode area for the northern part of Central Leeds; Life Sciences Switzerland, a federation of scientific societies; A line-switch pedal made by Boss Corporation; A brand of motorcycle helmets
[2] BEL [25] CAN [4] NLD [5] NZ [7] UK [10] Once in a Lifetime: The Best of Talking Heads: Released: October 12, 1992 (UK) [26] Label: EMI; Formats: CD, LP — 35 — — 66: 3: 7 [A] BPI: Gold [12] Sand in the Vaseline: Popular Favorites: Released: October 13, 1992 (US) [27] Label: Sire, EMI; Formats: CD box set, LP box set; 158 — — 52 ...
The Rolladen-Schneider LS2 is a 15-metre span single seat glider prototype with trailing-edge flaps, designed and built by Rolladen-Schneider Flugzeugbau GmbH c. 1973. The LS2 was designed by Wolf Lemke and Walter Schneider in response to changes in the Standard Class rules.
The Best of Talking Heads is a greatest hits album by American rock band Talking Heads, released on August 17, 2004 by Sire, Warner Bros. Records, and Rhino Entertainment. Track listing [ edit ]
The band played their first gig as Talking Heads—opening for the Ramones at the CBGB club—on June 5, 1975. [2] According to Weymouth, the name Talking Heads came from an issue of TV Guide, which "explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. It fit."
Talking Heads were an American new wave band who, between 1975 and 1991, recorded 96 songs, 12 of which were not officially released until after their break-up. The group has been described as "one of the most acclaimed bands of the post-punk era" by AllMusic and among the most "adventurous" bands in rock history by the Rock and Roll Hall of ...
Heads offers an analysis of American psychedelic counterculture and its effects on mainstream American society. Jarnow describes the Grateful Dead and their concerts as a kind of loosely organized infrastructure for American counterculture, detailing how the band and their fans were inextricably linked to LSD distribution from the 1960s through the 1990s.
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