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Street art influence in politics refers to the intersection of public visual expressions and political discourse.Street art, including graffiti, murals, stencil art, and other forms of unsanctioned public art, has been an instrumental tool in political expression and activism, embodying resistance, social commentary, and a challenge to power structures worldwide.
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures.As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
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In October 2007, Shepard Fairey, who had created political street art critical of the US government and George W. Bush, discussed the Obama presidential campaign with publicist Yosi Sergant. Sergant contacted the Obama campaign to seek permission for Fairey to design an Obama poster, which was granted a few weeks before Super Tuesday.
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.
Lucy Lippard claims that one of her early inspirations for PAD/D was the London art scene and its dedication to combining political and community art, as well the work of London-based artists like Susan Hiller and Alexis Hunter. [1]
Wall of Respect was an example of the Black Arts Movement, an artistic school associated with the Black Power Movement. [6] The scholarly journal Science & Society underscored the significance of the Wall of Respect as "the first collective street mural", in the "important subject [of] the recently emerged street art movement."
The 2007 book "Street Art Stockholm", by Benke Carlsson, documents street art in the country's capital. [ 112 ] The street art scene of Finland had its growth spurt from the 1980s onwards until in 1998 the city of Helsinki began a ten-year zero-tolerance policy which made all forms of street art illegal, punishable with high fines, and enforced ...