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A Guitar Hero World Tour drum kit (and guitar gameplay) The drum kit controller designed for Guitar Hero World Tour was the first such controller for a Guitar Hero game. It features three drum pads (red, blue and green) and two cymbal pads (yellow and orange), as well as a kick pedal, and a complement of standard buttons.
Mesa-Boogie "Mark IV", a guitar combo amplifier The Mesa/Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering (more commonly known as "Mesa/Boogie"). "). Originally just referred to as "Boogies", the product line took on the moniker "Mark Series" as newer revisions were put into produ
Smith produced a number of custom variations of the Boogie through the late 1970s, with options including reverb, a five-band graphic EQ, various speakers (most often Altec or Electro-Voice), koa wood jointed cabinets, and wicker grills. [3] Upon the 1978 release of the Boogie's successor—the "Mark II"—the Boogie was renamed the Mark I. [1]
The earliest Boss product was called B-100 The Boss, released in 1974.This came with a clip-on pre-amp and a pickup to amplify acoustic guitars. At this point the Boss company had not been formed and it was still a Beckmen Musical Instruments product (as seen on the B-100 box [4]).
The Langevin EQ-251-A, designed by Art Davis, was the first equalizer to use slide controls. [when?] It featured two passive equalization sections, a bass shelving filter, and a pass band filter. Each filter had switchable frequencies and used a 15-position slide switch to adjust cut or boost. The passive design required 14 dB of make-up gain. [9]
The pedal also features an external effects loop) "Small Box" RAT (Bent steel U-shape enclosure) R2DU (19 inch rackmountable double RAT pedal, usable in cascade mode or dual channel) BRAT / Roadkill ('budget' USA-made RAT2 derivative circuit designed for Guitar Center including the Motorola LM308 opamp with LEDs in the negative-feedback loop.
Apple stock received a rare downgrade to "sell" from an analyst on Tuesday. The downgrade highlights premium-valuation concerns and some negative headlines in recent months.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
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