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"The Memory Remains" is a song by American heavy metal band Metallica. Written by James Hetfield and Lars Ulrich, it was the lead single from the band's seventh studio album, Reload, released in 1997. The song was first performed live in a "jam" version on July 2, 1996. [2]
The Videos 1989–2004 is a video album by American heavy metal band Metallica, released on DVD in December 2006. [1] It features all of the band's videos from 1989 to 2004. In its first week of release, the DVD sold 28,000 copies.
Metallica's fifth, self-titled album, often called The Black Album, was released in 1991 and debuted at number one on the Billboard 200. [4] The band embarked on a two-year tour in support of the album. Metallica has since been certified 16 times platinum by the RIAA. [3] Metallica followed with the release of Load and Reload, respectively. [5]
The Memory Remains: Best Video Clip: Won 1999: S&M: Compilation Album of the Year: Won 2000: I Disappear: Song of the Year From a Movie Soundtrack: Won 2003: St. Anger: Video of the Year: Won James Hetfield: Vocalist of the Year: Won Metallica: Comeback of the Year: Won Summer Sanitarium 2003: Tour of the Year: Won Metallica: Live Performance ...
Reload marks the first Metallica album to include a guest singer (Marianne Faithfull in "The Memory Remains"). This was the second album to feature most songs in E♭ tuning , with "Bad Seed" being played in D♭ tuning and "Devil's Dance" in D tuning .
"The Unforgiven II" is a song by American heavy metal band Metallica from their 1997 studio album, Reload. It was written by James Hetfield, Lars Ulrich and Kirk Hammett and is the sequel to "The Unforgiven", a song from their 1991 self-titled album.
"One" was the first Metallica song for which a music video was created. The music video, directed by Bill Pope and Michael Salomon , debuted on MTV on January 20, 1989. The video, shot in Long Beach, California on December 7, 1988, is almost entirely in black and white , and features the band performing the song in a warehouse.
Lars Ulrich explained that the band wanted to try something new with the idea of a ballad.Instead of the standard melodic verse and heavy chorus – as evidenced on their previous ballads "Fade to Black", "Welcome Home (Sanitarium)" and "One" – the band opted to reverse the dynamic, with heavy, distorted verses and a softer, melodic chorus, played with clean electric and acoustic guitars.