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Compiled in an effort to present modern poetry in a way that would appeal to the young, Watermelon Pickle was long a standard in high school curricula, [2] and has been described as a classic. [3] The anthology consists of 114 poems, including ones by Ezra Pound, Edna St. Vincent Millay and e. e. cummings, but also
Self-Portrait in a Convex Mirror received three major literary prizes: the Pulitzer Prize for Poetry, the National Book Award for Poetry, and the National Book Critics Circle Award for Poetry. To date, Ashbery is the only writer working in any genre to receive a Pulitzer, National Book Award, and National Book Critics Circle Award in the same ...
Mirror (Korean: 거울) is a poem written by the Korean author Yi Sang.It was published in the October 1933 issue of Catholic Youth (가톨릭 청년, Volume 5).Other works by Yi Sang that also explore the theme of mirrors include Crow's Eye View, Poem No. 15 (오감도 시 제 15호) and Bright Mirror (명경).
The poem was published in the October 1796 Monthly Magazine, [22] under the title Reflections on Entering into Active Life. A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp.
Poems of the Imagination (1820); Poems of Sentiment and Reflection (1827 and 1832); Poems of the Imagination (1836) 1820 Ode to Lycoris. May 1817 1817 "An age hath been when Earth was proud" Poems of Sentiment and Reflection: 1820 To the Same (Lycoris) 1817 "Enough of climbing toil!--Ambition treads" Poems of Sentiment and Reflection: 1820 The ...
Some of his best known poems, "This Is Just to Say" and "The Red Wheelbarrow", are reflections on the everyday. Other poems reflect the influence of the visual arts. He, in turn, influenced the visual arts; his poem "The Great Figure" inspired the painting I Saw the Figure 5 in Gold by Charles Demuth. [1]
Most of the poem is a more hurried trochaic tetrameter. [5] The bells of which he writes are thought to be those he heard from Fordham University church's bell tower, since Poe resided in the same neighborhood as that university. He also frequently strolled about Fordham's campus conversing with both the students and the Jesuits. [6]
The poem was first performed at the Six Gallery in San Francisco on October 7, 1955. [14] Ginsberg had not originally intended the poem for performance. The reading was conceived by Wally Hedrick—a painter and co-founder of the Six—who approached Ginsberg in mid-1955 and asked him to organize a poetry reading at the Six Gallery.