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Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves (Morgan James Publishing, 2008) online. Adler, John. America's Most Influential Journalist and Premier Political Cartoonist: The Life, Times and Legacy of Thomas Nast (Harp Week Press, 2022). Barrett, Ross.
Southern Justice is a multi-panel political cartoon by Bavarian-American caricaturist Thomas Nast, advocating for continued military occupation of the Southern United States to protect freedmen, Unionists, and Republicans from violence. [1]
Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves (2008). Gocek, Fatma Muge. Political Cartoons in the Middle East: Cultural Representations in the Middle East (Princeton series on the Middle East) (1998) Heitzmann, William Ray. "The political cartoon as a teaching device".
William Magear "Boss" Tweed [note 1] (April 3, 1823 – April 12, 1878) was an American politician most notable for being the political boss of Tammany Hall, the Democratic Party's political machine that played a major role in the politics of 19th-century New York City and State.
Thomas Nast Gallery, 1870 – January 1871, editorial cartoons about Boss Tweed and Tammany Hall; Proposed Historic District: Tammany Hall, archive of a proposal to list Tammany Hall among the historic districts of the United States; Tammany Hall Links Archived December 11, 2008, at the Wayback Machine at DavidPietrusza.com
In the 1870s, the cartoonist Thomas Nast began an aggressive campaign in the journal against the corrupt New York political leader William "Boss" Tweed. Nast turned down a $500,000 bribe to end his attack. [8] Tweed was arrested in 1873 and convicted of fraud.
The New-York Times, except for Harper's Weekly through Thomas Nast, was the only newspaper in New York that actively went against Tweed; municipal advertising created a virtual hush fund. [27] Jennings publicly questioned Tweed's wealth—having gone from bankruptcy in 1865 to owning a mansion on Madison Avenue and 59th Street —in an ...
[6] Many of the figures have moneybag heads, and Otterness credits 19th century political cartoonist Thomas Nast's depiction of Boss Tweed and the corruption of Tammany Hall that was ongoing at the time of the subway's initial construction as his inspiration for these. [7] [8]