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For many games that do not make use of the OpenAL API natively, the use of a wrapper or a chain of wrappers can help to make these games indirectly use the OpenAL API. Ultimately, this leads to the sound being rendered in Ambisonics if a capable OpenAL driver such as OpenAL Soft is being used. [59]
It can be driven by an inexpensive 5.1 sound card and domestic 5.1 amplifier, provided the LFE output is full-range. When used with one speaker in front, the hexagon can be abused for native 5.1 playback at the expense of a significantly wider and more blurry stereo stage (120° as opposed to 60° between L and R as per ITU-R BS775).
Ambisonic Surround Sound FAQ (Sections 17 and 18 for hardware decoders) Ambisonia website Bruce Wiggins's WAD decoders for 4.0, 6.0 and 8.0 are nearly Classic Ambisonic Decoders and easy to use plugins for Windows Media Player. B2X Plug-Ins B2D, B2G and B2Stereo software decoders, in VST and Audio Unit formats, for Mac OS X
Ambisonic UHJ format is a development of the Ambisonic surround sound system designed to be compatible with mono and stereo media. It is a hierarchy of systems in which the recorded soundfield will be reproduced with a degree of accuracy that varies according to the available channels.
Spherical Harmonics up to Ambisonic order 5 as commonly displayed, sorted by increasing Ambisonic Channel Number (ACN), aligned for symmetry. The traditional B-format only concerned itself with zeroth and first Ambisonic order. Because of a strong correspondence between the spherical harmonics and microphone polar patterns, and the fact that ...
A popular and unfortunate misconception is that Ambisonic recordings can only be made with the SFM, and as a result there is a widespread, and erroneous, belief that Ambisonics can only be used to capture a live acoustic event (something that accounts for a tiny proportion of modern commercial recordings, the vast majority of which are built up in the studio and mixed from multitrack).
The Soundfield microphone used to make Ambisonic recordings can be adjusted to mimic two microphones of any pattern at any angle to each other, including a Blumlein pair. In his early experiments at EMI with what he called "binaural" sound, Blumlein did not use this actual technique because he did not have access to figure-eight microphones ...
It is possible to define an Ambisonic signal set with non-uniform resolution depending on source direction. This practice is called mixed-order, and it has consequences for the layout and interpretation of files, streams, or physical connections in Ambisonic data exchange. As with all things Ambisonic, complexity has increased as research ...
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