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"All That Jazz" is a song from the 1975 musical Chicago.It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical.The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song.
Jazz noir (also known as "doom jazz" or "dark jazz") is noted for its often somber, mysterious or even sinister tone. It takes inspiration from film noir soundtracks and dark ambient music. [4] 1990s -> Nu jazz [5] Music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation. 1990s ->
The phrase and all that jazz means "and other such things", "and all that sort of thing". It is recorded in print in this sense as early as 1959, and was associated with the city of Chicago in Frank Sinatra's 1964 rendition of "My Kind of Town", where the lyric "Chicago is my kind of razzmatazz, and it has all that jazz" is sung.
The David Fincher–directed music video for Paula Abdul's song "Cold Hearted" is inspired by the "Take Off With Us" dance sequence in All That Jazz. The 2006 film Marie Antoinette written and directed by Sofia Coppola reuses the Vivaldi concerto in a montage depicting the daily routine of Marie's life with her husband.
Jazz-funk is a subgenre of jazz music characterized by a strong back beat, electrified sounds, [1] and analog synthesizers.The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre that ranges from pure jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, jazz solos, and sometimes soul vocals. [2]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Unlike bebop jazz, with its complex, rapid-fire chord changes, funk often uses a static single-chord or two-chord vamp (often alternating a minor seventh chord and a related dominant seventh chord, such as A minor to D7) during all or part of a song, with melodo-harmonic movement and a complex, driving rhythmic feel. Even though some funk songs ...
The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals. [3]
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