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Portrait by Cristofano Allori (Casa Buonarroti, Florence) La tancia (1612) Michelangelo Buonarroti il Giovane the Younger (baptized 4 November 1568 – 11 January 1646) was a Florentine poet, librettist and man of letters, known as "the Younger" to distinguish him from his granduncle, Michelangelo.
It was commissioned by Michelangelo Buonarroti the Younger (1568–1646) as part of a series of paintings to glorify the life of his great uncle, Michelangelo Buonarroti. The painting depicts "Inclination," or inborn creative ability, one of the "eight Personifications" attributed to the Renaissance master. [2]
The tondo was commissioned by Taddeo Taddei. He was a patron and friend of Raphael, a young contemporary to Michelangelo also working in Florence. Raphael studied and reworked the tondo in two drawings, the versi of The Storming of Perugia now at the Louvre as well as compositional studies for the Madonna del Prato now at Chatsworth House. [15]
The Sleeping Cupid was a significant work in establishing the reputation of the young Michelangelo, who was 21 at the time. [7] The sculpture was later donated by Cesare Borgia to Isabella d'Este, and was probably collected by Charles I of England when all the Gonzaga collections were bought and taken to London in the seventeenth century. [5]
Crouching Boy is a sculpture of the Renaissance Italian painter and sculptor Michelangelo, preserved today at the Hermitage Museum in Saint Petersburg. It is the only work by Michelangelo in the Hermitage. Sculpted between 1530 and 1533, it was originally intended for the tomb of the Medici family in Florence. [1]
The baby Jesus leans on her in a lively contrapposto and just visible emerging in the background, is a young Saint John the Baptist. Apparently, Michelangelo also was influenced by the now-lost cartoon of Saint Anne by Leonardo da Vinci that was exhibited in Florence at the Santissima Annunziata during the years Michelangelo was working on the ...
The Temptation of Saint Anthony, 1487–88, by the young Michelangelo, copying Martin Schongauer's engraving. The earliest work to depict Saint Anthony being assaulted by demons is a wall painting in the atrium of Santa Maria Antiqua of the 10th century. [2] The subject became especially popular in the late European Middle Ages, from around 1450.
In 1615, she received the attention of Michelangelo Buonarroti the Younger (a great-nephew of Michelangelo). Busy with the construction of the Casa Buonarroti to celebrate his noted relative, he asked Artemisia —along with other Florentine artists, including Agostino Ciampelli , Sigismondo Coccapani , Giovan Battista Guidoni, and Zanobi Rosi ...