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The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love and humility. [6]
Russian icon of the Old Testament Trinity by Andrei Rublev, between 1408 and 1425. The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches.
Old Testament Trinity icon by Andrei Rublev, c. 1400 (Tretyakov Gallery, Moscow). Direct representations of the Trinity are much rarer in Eastern Orthodox art of any period—reservations about depicting the Father remain fairly strong, as they were in the West until the high Middle Ages.
Priscilla Hunt, Andrei Rublev's Old Testament Trinity Icon: Problems of Meaning, Intertextuality, and Transmission, Symposion: A Journal of Russian (Religious) Thought, ed. Roy Robson, 7-12 (2002–2007), 15-46 (See on-line at www.phslavic.com) Konrad Onasch, Das Problem des Lichtes in der Ikonomalerei Andrej Rublevs.
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The Trinity by Russian icon painter Andrei Rublev, early 15th century: this portrayal of the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8) was not intended as a literal or exact representation of the Trinity, but as a meditation upon the relational life of the Trinity through the Biblical narrative
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Holy Trinity, Hospitality of Abraham; by Andrei Rublev; c. 1411; tempera on panel; 1.1 x 1.4 m (4 ft 8 in x 3 ft 8 3 ⁄ 4 in); Tretyakov Gallery (Moscow). Russian icons represent a form of religious art that developed in Eastern Orthodox Christianity after Kievan Rus' adopted the faith from the Eastern Roman (Byzantine) Empire in AD 988. [1]
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