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Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts. It has ties to reader-response criticism , and also has a grounding in modern principles of cognitive linguistics .
Old Possum's Book of Practical Cats (1939) is a collection of whimsical light poems by T. S. Eliot about feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber's 1981 musical Cats. Eliot wrote the poems in the 1930s and included them, under his assumed name "Old Possum", in letters to his ...
Life Studies is the fourth book of poems by Robert Lowell. Most critics (including Helen Vendler, Steven Gould Axelrod, Adam Kirsch, and others) consider it one of Lowell's most important books, and the Academy of American Poets named it one of their Groundbreaking Books. [1] Helen Vendler called Life Studies Lowell's "most original book."
In a review of the book in The Kenyon Review, John Thompson wrote, "For these poems, the question of propriety no longer exists. They have made a conquest: what they have won is a major expansion of the territory of poetry." [9] There were however clear moves towards the "confessional" mode before the publication of Life Studies.
Carver's life as a slave is described in poems written by those who once knew him during his lifetime, such as his friends and family all in one book. The book was first published on April 23, 1997. It received positive reviews and was awarded with the John Newbery Medal. The author of the book, Marilyn Nelson, is an American award-winning writer.
A book review is a form of literary criticism in which a book is merely described (summary review) or analyzed based on content, style, and merit. [ 1 ] A book review may be a primary source , an opinion piece, a summary review, or a scholarly view. [ 2 ]
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New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.