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The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
"White Lines (Don't Don't Do It)" is a song by American hip hop recording artist Melle Mel, released as a 12" in 1983 on Sugar Hill Records. The song, which warns against the dangers of cocaine, addiction, and drug smuggling, is one of Melle Mel's signature tracks. It was written by him with Sylvia Robinson.
White line fever may refer to: Highway hypnosis, an altered mental state induced by driving great distances; White Line Fever, a 1975 American film "White Line Fever", a 1977 song by Motörhead from their debut album Motörhead; White Line Fever, an Australian-rules football show; White Line Fever, a 2002 autobiography by Lemmy
An instrumental version was used in the movie White Line Fever (1975), as was another David Nichtern song, "Drifting and Dreaming of You". It was performed in American Pie at the prom. The song is sung by the singer from the lounge band in Bob Harris's (Bill Murray) hotel room shower in Sofia Coppola's film Lost in Translation.
White Line Fever is a 1975 Canadian-American action crime ... which is the subject of the film's theme song "Drifting and ... Text is available under the ...
Highway hypnosis, also known as white line fever, is an altered mental state in which an automobile driver can drive lengthy distances and respond adequately to external events with no recollection of consciously having done so.
ASCII tab is a text file format used for writing guitar, bass guitar and drum tabulatures (a form of musical notation) that uses plain ASCII numbers, letters and symbols. It is the only widespread file format for representing tabulature, and is extensively used for disseminating tabulature via the Internet.
Removing the chord progression of the original, Madonna introduces original lyrics into the song. Instrumentation of the track includes strings, marimba and finger-pops at various intervals throughout. Rooksby noticed that Madonna sang with a distant and disembodied voice, and relegated it to the dance music accompanying the lyrics. [45]