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The rigidities, conventions, and other limitations of "bourgeois realism" prompted in their turn the revolt later labeled as modernism; starting around 1900, the driving motive of modernist literature was the criticism of the 19th-century bourgeois social order and world view, which was countered with an anti-rationalist, anti-realist and anti ...
Philosophical realism—usually not treated as a position of its own but as a stance towards other subject matters—is the view that a certain kind of thing (ranging widely from abstract objects like numbers to moral statements to the physical world itself) has mind-independent existence, i.e. that it exists even in the absence of any mind perceiving it or that its existence is not just a ...
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1] Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it ...
Historical realism is a writing style or sub-genre of realistic fiction centered around historical events and time periods. In historical realism, the structure and context of a text is usually solely derived from a real historical event or time period. As a consequence of this, many texts that fall under this category are philosophical by ...
Realist approaches in the social sciences include: Ethnographic realism , either a descriptive word, i.e. of or relating to the first-hand participant-observation practices of ethnographers, or a writing style or genre that narrates in a similar fashion.
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. [1]
Naïve realism argues we perceive the world directly. In philosophy of perception and epistemology, naïve realism (also known as direct realism or perceptual realism) is the idea that the senses provide us with direct awareness of objects as they really are. [1] When referred to as direct realism, naïve realism is often contrasted with ...
Direct realism, also known as naïve realism, argues we perceive the world directly. In the philosophy of perception and philosophy of mind, direct or naïve realism, as opposed to indirect or representational realism, are differing models that describe the nature of conscious experiences; [1] [2] out of the metaphysical question of whether the world we see around us is the real world itself ...