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Some hymns to Mary are also included in the Evangelical Lutheran Worship hymnal, e.g. hymn number 251 is "My Soul Proclaims Your Greatness", which is based on the Magnificat and hymn 419 is "For All the Faithful Women" in which the first stanza includes: "We honor faithful Mary, fair maiden, full of grace". [24]
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
The Magnificat, in Latin also canticum Beat(issim)ae Virginis Mariae (the song of the (most) Blessed Virgin Mary), is a common part of Christian worship, for instance traditionally included in vespers, evensong or matins. [1] [2] As such it is often sung and was set to music by various composers.
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.
List of Catholic Church musicians is a list of people who perform or compose Catholic music, a branch of Christian music.Names should be limited to those whose Catholicism affected their music and should preferably only include those musicians whose works have been performed liturgically in a Catholic service, or who perform specifically in a Catholic religious context.
Netflix's "Mary" is a biblical epic that tells the story of the Virgin Mary from her childhood up through the birth of Jesus Christ. Directed by D.J. Caruso, the film premiered on Dec. 6 and has a ...
Sancta Maria, mater Dei (Holy Mary, mother of God), K. 273, is an act of Consecration to Blessed Virgin Mary in F major, written by Wolfgang Amadeus Mozart for SATB choir, first and second violins, violas and basso continuo of violoncello, double bass and organ. Mozart entered the work into his catalogue on 9 September 1777 in Salzburg. [1]
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