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The warp-beam is a wooden or metal cylinder on the back of the loom on which the warp is delivered. The threads of the warp extend in parallel order from the warp-beam to the front of the loom where they are attached to the cloth-roll. Each thread or group of threads of the warp passes through an opening (eye) in a heddle.
In the manufacture of cloth, warp and weft are the two basic components in weaving to transform thread and yarn into textile fabrics. The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft (also called the woof) is drawn through (inserted over and under) the warp thread. [1]
Wrapping the warp threads around the warp beam of a loom in preparation for weaving. A beamer was an occupation in the cotton industry. [1] The taper's beam is a long cylinder with flanges where 400 plus ends (threads) are wound side-by-side. Creels of bobbins with the correct thread, mounted on a beaming frame wind their contents onto the beam.
It was a frame loom, equipped with treadles to lift the warp threads, leaving the weaver's hands free to pass and beat the weft thread. [47] A pit loom has a pit for the treadles, reducing the stress transmitted through the much shorter frame. [48] In a wooden vertical-shaft loom, the heddles are fixed in place in the shaft.
The reed is the part in the beater that the warp threads go through. Weaving on a floor loom, using a beater that swings, suspended on a heavy wood frame. A reed is part of a weaving loom, and resembles a comb or a frame with many vertical slits. [1]
An example of the thread crossing pattern in a plain weave fabric Structure of plain-woven fabric Structure of basketweave fabric Warp and weft in a plain tabby weave, showing the reversals of the weft.
A free body diagram is not a scaled drawing, it is a diagram. The symbols used in a free body diagram depends upon how a body is modeled. [6] Free body diagrams consist of: A simplified version of the body (often a dot or a box) Forces shown as straight arrows pointing in the direction they act on the body
The two were separated by a large, fast-flowing river. Orapim was afraid that crossing the river would be inconvenient because she was a woman, so she prayed to place her breasts on the wild cotton tree (Bombax ceiba) and her genital on weaver's beam tree, and so she transformed into a man and continued to search for Prince Panjit. [5] [6]