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2. 50 Times Cheap Fixes Had A Major Impact On Home Life - AOL

   www.aol.com/55-people-share-relatively-cheap...

   Watched the return area at IKEA for weeks until I'd found two matching sinks and a floating vanity and faucets, all 50% off. ... replacing the outlets and switches from 80s/90s almond to modern ...

3. Met Breuer - Wikipedia

   en.wikipedia.org/wiki/Met_Breuer

   The Met Breuer (/ ˈ b r ɔɪ. ər / BROY-ər) [1] was a museum of modern and contemporary art at Madison Avenue and East 75th Street in the Upper East Side of Manhattan, New York City. It served as a branch museum of the Metropolitan Museum of Art (known as the Met) from 2016 to 2020.

4. Exquisite Form - Wikipedia

   en.wikipedia.org/wiki/Exquisite_Form

   The company was founded in 1945 in New York City. It was founded with the help of its head designer Lillian Hunau, who also had a special wiring and bust shaping [2] patent which began featuring in bras the following year. 1945 was also the year Exquisite Form became one of the first major brassiere companies to advertise in Ebony Magazine.

5. Vanitas - Wikipedia

   en.wikipedia.org/wiki/Vanitas

   Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.

6. Boyd scores 17 points and No. 24 San Diego State beats ... - AOL

   www.aol.com/boyd-scores-17-points-no-052328440.html

   Nick Boyd scored 17 points, including five in four seconds early in the second half, and No. 24 San Diego State beat San Diego 74-57 on Saturday night in the first meeting between the crosstown ...

7. Theosophy and visual arts - Wikipedia

   en.wikipedia.org/wiki/Theosophy_and_visual_arts

   Here the imaginary floating forms dominate the scene; they dwarf the forms of visible reality, as represented by the fleshy forms lying in sleep. Through the variation in scale between the dream figures and their earthly forms, Kupka clearly made the painting about an experience of invisible reality with the immaterial dominating the material.