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A portable folding reflector positioned to "bounce" sunlight onto a model. Reflectors vary enormously in size, colour, reflectivity and portability. In tabletop still life photography, small mirrors and card stock are used extensively, both to reduce lighting contrast and create highlights on reflective subjects such as glassware and jewelry.
In practical terms, it means that if one face in a group portrait is 4 metres from the "key" light and another is 5.6 m away, the face further from the light will be one f/stop darker. In an outdoor portrait of a group of 200 people taken on an overcast day, the lighting of all the faces will be equal.
Technology to minimize image blurring by camera movement during exposure. See also AS, OS, OIS, OSS, SR, SS, SSI, SSS, VR as brand-specific terms. [10] ISO: A system for quantifying the sensitivity ("speed") of a photographic emulsion, or a solid-state digital-camera's image sensor, to visible light. Normally followed by a numerical value, e.g ...
The beauty dish is used in portrait and fashion photography, because it is the best modifier for concentrating light on a subject and creating a better image than other modifiers. Because the beauty dish wraps the light around the subject it gives the image a better contrast and highlights angles that other modifiers wouldn't be able to ...
Reflector, a device that causes reflection (for example, a mirror or a retroreflector) Reflector (photography), used to control lighting contrast; Reflecting telescope; Reflector (antenna), the part of an antenna that reflects radio waves; Reflector (cipher machine), a component of some rotor machines in cryptography
Reflectors, including umbrellas, flat-white backgrounds, drapes and reflector cards are commonly used for this purpose (even with small hand-held flash units). Bounce flash is a related technique in which flash is directed onto a reflective surface, for example a white ceiling or a flash umbrella, which then reflects light onto the subject. It ...
This will limit the selection of shutter speeds, and may require the use of shades or reflectors to manipulate the light. It can also influence the time, location, and even orientation of the photo shoot to obtain the desired lighting conditions. Available light can often also produce a color cast with color photography.
A bicycle reflector appears brighter to the passenger car driver than to the truck driver at the same distance from the vehicle to the reflector. [1] The light beam and the normal axis of the reflector as shown in Figure 2 form the entrance angle. The entrance angle is a function of the orientation of the reflector to the light source.
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