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Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
96 fps (5K) 120 fps (5K 2.4:1) 150 fps (4K 2.4:1) 200 fps (3K 2.4:1) 240 fps (2K) 300 fps (2K 2.4:1) Sony F35 [101] 21.6 x 13.3 mm 1.67 Arri PL 1920 x 1080 400 native [102] 11.3 stops (-5, +6.3) [68] Global 1-60 Sony F65 [103] 24.7 x 13.1 mm 1.46 Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7) [103] [104] Mechanical
DSMC cameras are modular and can be customized in various configurations. Several lens mounts can be attached to the camera. The only possible acquisition format is Redcode Raw. Introduction of RedMag SSDs, later Red Mini-Mags. Touchscreen introduction. Scarlet M-X [5] shoots regular speeds of up to 30fps at 4K and up to 120 fps at 2k. At 5K ...
The first in the Pocket Cinema Camera line with the ability to shoot 4K video, this model included a 4/3 image sensor and mount, and is capable of both ProRes and Blackmagic Raw. [ 2 ] In August 2019, Blackmagic Design released the Blackmagic Pocket Cinema Camera 6K with a Super 35 camera sensor and EF mount for US$2,495.
In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.
$1497.99 at amazon.com. U8K Mini-LED. One of the brightest, most color accurate, and best sounding LED TVs for 4K viewing in my recommendations is the Hisense U8K mini-LED.
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