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In a number of languages, including most varieties of English, the phoneme /l/ becomes velarized ("dark l") in certain contexts. By contrast, the non-velarized form is the "clear l" (also known as: "light l"), which occurs before and between vowels in certain English standards. [1] Some languages have only clear l. [2]
A common example of a velarized consonant is the velarized alveolar lateral approximant (or "dark L"). In some accents of English, such as Received Pronunciation and arguably General American English, the phoneme /l/ has "dark" and "light" allophones: the "dark", velarized allophone [ɫ] appears in syllable coda position (e.g. in full), while the "light", non-velarized allophone [l] appears in ...
The symbol [ɬ] is called "belted l" and is distinct from "l with tilde", [ɫ], which transcribes a different sound – the velarized (or pharynɡealized) alveolar lateral approximant, often called "dark L". [1] Some scholars also posit the voiceless alveolar lateral approximant distinct from the fricative. [2]
More extensive L-vocalization is a notable feature of certain dialects of English, including Cockney, Estuary English, New York English, New Zealand English, Pittsburgh English, Philadelphia English and Australian English, in which an /l/ sound occurring at the end of a word (but usually not when the next word begins with a vowel and is pronounced without a pause) or before a consonant is ...
The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...
An example of a lateral consonant is the English L, as in Larry. Lateral consonants contrast with central consonants , in which the airstream flows through the center of the mouth. For the most common laterals, the tip of the tongue makes contact with the upper teeth (see dental consonant ) or the upper gum (see alveolar consonant ), but there ...
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Low key light accentuates the contours of the subject by throwing areas into shade while a fill light or reflector may illuminate the shadow areas to control contrast. [ 2 ] [ 1 ] The relative strength of key-to-fill, known as the lighting ratio , can be measured using a light meter .