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2. Satsuma ware - Wikipedia

   en.wikipedia.org/wiki/Satsuma_ware

   Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...

3. Japanese pottery and porcelain - Wikipedia

   en.wikipedia.org/wiki/Japanese_pottery_and_porcelain

   Pottery and porcelain (陶磁器, tōjiki, also yakimono (焼きもの), or tōgei (陶芸)) is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. [1] Types have included earthenware , pottery , stoneware , porcelain , and blue-and-white ware .

4. Kutani ware - Wikipedia

   en.wikipedia.org/wiki/Kutani_ware

   Kutani ware (九谷焼, Kutani-yaki) is a style of Japanese porcelain traditionally supposed to be from Kutani, now a part of Kaga, Ishikawa, in the former Kaga Province. [1] It is divided into two phases: Ko-Kutani (old Kutani), from the 17th and early 18th centuries, and Saikō-Kutani from the revived production in the 19th century.

5. Category:Japanese porcelain - Wikipedia

   en.wikipedia.org/wiki/Category:Japanese_porcelain

   Pages in category "Japanese porcelain" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. A. Arita ware; H. Hakuji;

6. Imari ware - Wikipedia

   en.wikipedia.org/wiki/Imari_ware

   Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.

7. Hirado ware - Wikipedia

   en.wikipedia.org/wiki/Hirado_ware

   It is known mainly for its sometsuke underglaze cobalt blue and white porcelain, with the amount of blue often low, showing off the detailed modelling and the very fine white colour of the porcelain. This has a finer grain than most Japanese porcelains, allowing fine detail and thin and complicated openwork in forms.