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Through an online press conference held on November 4, 2021, SM Entertainment and YouTube announced the remastering project for K-pop music videos. [6] The Remastering Project is a project to remaster music videos from the 1990s and 2000s and showcase them to global music fans through the online video platform. [ 7 ]
Remastered movies have been the subject of criticism. When the Arnold Schwarzenegger film Predator was remastered, it was felt by some critics that the process was overdone, resulting in Schwarzenegger's skin looking waxy. [11] As well as complaints about the way the picture looks, there have been other complaints about digital fixing. [12]
A re-recording is a recording produced following a new performance of a work of music. This is most commonly, but not exclusively, by a popular artist or group. It differs from a reissue, which involves a second or subsequent release of a previously-recorded piece of music.
In 2020, Rolling Stone included Saved in their "80 Greatest albums of 1980" list, praising Dylan for being "at the peak of his vocal powers, and he’s rarely played with a better bunch of musicians". [14] Record World said of the single "Solid Rock" that "Dylan's latest inspiration is perhaps his greatest, as evidenced by this compelling ...
The track listing for both editions is the same. However, the running time of most of the remastered tracks vary from the original release due to a different placement of the track marks between songs. In many cases, the track mark changes move a song's spoken introduction from the beginning of the track to the end of the preceding track.
Different releases of ABBA's 1980 song "Super Trouper" show different levels of loudness compared to the original 1980 release. This is displayed in Audacity , a basic DAW . The loudness war (or loudness race ) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment.
“If we were sad (listening to a song) 20 years ago, we’re going to be sad today, but with a distance from that sadness … so there’s a different sense of enrichment in the experience ...
"1979" is a song by American alternative rock band the Smashing Pumpkins. It was released in 1996 as the second single from their third studio album, Mellon Collie and the Infinite Sadness. "1979" was written by frontman Billy Corgan, and features loops and samples uncharacteristic of previous Smashing Pumpkins songs. [7]