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Another guzhuang-style costume which has influenced modern clothing in modern-day China is the Xiuhefu designed by costume designer Ye Jintian in 2001 for the role of drama female character Xiu He, played by Chinese actress Zhou Xun, in the Chinese television drama Juzi Hongle (橘子紅了; 'Orange turned red'), a drama set in the Republican ...
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
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It is based on the traditional Russian [2] and Ukrainian folk dance also called the trepak. The piece is part of the Divertissement in Act II, Tableau III. [citation needed] The other character dances in this divertissement are: Chocolate (Spanish dance), Coffee (Arabian dance) and Tea (Chinese dance). Tchaikovsky's Trepak is written in AABA form.
A Yue opera actress dancing with water sleeves A Kunqu actress with an extended water sleeve. Water sleeves (Chinese: 水袖; pinyin: shuǐxiù) are long, flowing silk sleeve extensions attached to the cuffs of costumes in Chinese opera, widely used by both male and female characters of higher social classes. [1]
The dance was simplified into a pattern of three-quick-steps forward, one-step-backward, pause and repeat. This version of the dance incorporated socialist elements, for example the leader of the dance group would hold a sickle instead of umbrella, and it is also known as "Struggle Yangge" (斗争秧歌; Dòuzhēng yānggē) or "reform yangge".
An explanation to the origins of Taoist ritual clothing (Chinese: 道衣; pinyin: dàoyī; lit.'Taoist clothing') might be they are derived from robes worn by zhouyi (Chinese: 咒醫; pinyin: zhòuyī; i.e. ritual healers) and fangshi in ancient China as their clothing were embroidered with patterns of flowing pneuma which are similar to clouds, depictions of the celestial real and the underworld.
Daopao (Chinese: 道袍; pinyin: dàopáo; lit. 'Taoist robe'), also known as xuezi (Chinese: 褶子) when used as a Xifu during Chinese opera performances, [1] [2]: 181 and deluo (Chinese: 得罗) when it is blue in colour, [3] is a traditional form of paofu in Hanfu and is also one of the most distinctive form of traditional clothing for the Han Chinese. [4]
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