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Hybridity as a strategy of the suppressed against their suppressors, mimicry as a strategy of colonial subjection, Third Space, postcolonial "enunciative" present [1] Homi Kharshedji Bhabha ( / ˈ b ɑː b ɑː / ; born 1 November 1949) is an Indian scholar and critical theorist .
Third Space Theory explains the uniqueness of each person, actor or context as a "hybrid". [ 1 ] [ non-primary source needed ] See Edward W. Soja for a conceptualization of the term within the social sciences and from a critical urban theory perspective.
Hybridity, in its most basic sense, refers to mixture. The term originates from biology [1] and was subsequently employed in linguistics and in racial theory in the nineteenth century. [2] Its contemporary uses are scattered across numerous academic disciplines and is salient in popular culture. [3]
Hybrid art is a contemporary art movement in which artists work with frontier areas of science and emerging technologies. Artists work with fields such as biology, robotics, physical sciences, experimental interface technologies (such as speech, gesture, face recognition ), artificial intelligence, and information visualization.
Cross-culturalism is nearly synonymous with transculturation, a term coined by Cuban writer Fernando Ortiz in the 1940s to describe processes of cultural hybridity in Latin America. However, there are certain differences of emphasis reflecting the social science derivation of cross-culturalism.
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
Metamodernism is the term for a cultural discourse and paradigm that has emerged after postmodernism.It refers to new forms of contemporary art and theory that respond to modernism and postmodernism and integrate aspects of both together.
Boris Efimovich Groys (born 19 March 1947) is an art critic, media theorist, and philosopher.He is currently a global distinguished professor of Russian and Slavic studies at New York University and senior research fellow at the Karlsruhe University of Arts and Design in Karlsruhe, Germany.