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The Ferrari F12berlinetta [3] (Type F152) is a front mid-engine, rear-wheel-drive grand tourer produced by Italian automobile manufacturer Ferrari. [7] The F12berlinetta debuted at the 2012 Geneva Motor Show, and replaced the 599 grand tourer. [8]
An orotone or gold tone is one of many types of photographic print which can be made from a negative. An orotone photograph is created by printing a positive on a glass plate precoated with a silver gelatin emulsion .
Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system) Karlheinz Stockhausen. Drei Lieder for alto voice and chamber orchestra, Nr. 1/10 (1950) [11] Sonatine, for violin and piano, Nr. ⅛ (1951) [12] Igor Stravinsky, works from 1952 forward: [13] Cantata (1952)
This is an accepted version of this page This is the latest accepted revision, reviewed on 8 January 2025. Color "Gold tone" redirects here. For the type of photographic print, see Gold tone (print). For treatments that change the natural color of gold, see Colored gold. For the element, see Gold. This article needs additional citations for verification. Please help improve this article by ...
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
Fokker F.XII, a Dutch airliner; Larson F-12 Baby, an American sport biplane; Lockheed YF-12, an American prototype interceptor aircraft; Republic XF-12 Rainbow, an American prototype reconnaissance aircraft; Automobiles (cars and trucks) Alpina B6 (F12), a German grand tourer; BMW 6 Series (F12), a German grand tourer; DKW F12, a German saloon car
Twelve-tone equal temperament (12 TET) is obtained by making all semitones the same size, with each equal to one-twelfth of an octave; i.e. with ratios 12 √ 2 : 1. Relative to Pythagorean tuning , it narrows the perfect fifths by about 2 cents or 1 / 12 th of a Pythagorean comma to give a frequency ratio of 2 7 / 12 : 1 {\displaystyle ...
A ♭ –E ♭ –B ♭ –F–C–G–D–A–E–B–F ♯ –C ♯ –G ♯ Since the boundaries of this stack (A ♭ and G ♯) are identical to those of the D-based symmetric stack, the note names of the 12-tone scale produced by this stack are also identical. The only difference is that the construction table shows intervals from C ...