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The track was covered by The Crew-Cuts, who took the song to the top of the charts, arguably registering the first U.S. rock and roll number one hit record. [ 2 ] The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed ...
[4] Musicologist Walter Everett described the song as one of the many 1960s sexist songs that "perpetuated a boys will be boys tolerance for male but not female infidelity." [ 6 ] Music critic Greil Marcus also remarked on the way "That's the Way Boys Are" backs off from the "proto-feminist manifesto" of "You Don't Own Me" to a message of "he ...
Staind also uses this tuning (but with the 2nd string tuned up 1/2 step to emulate a 7-string guitar), as well as several other modified variations of this, such as one in which the 5th string is also dropped from D♯ to C♯. Periphery also uses this tuning on a 7-string guitar frequently (G♯-D♯-g♯-C♯-F♯-A♯-D♯). Drop G – G-D-g ...
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
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Pop Rescue wrote in their review, "It's simple – 'up and down, up and down, up…. and down' – not much to remember when you're dancing to it in a club at 3am. Again the thumping beat and bouncy little synth riffs are there, and aside from that simple almost-aerobic exercise set of lyrics, there's not much more to it.