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Kruchenykh, in "Declaration of the Word as Such (1913)", declares zaum "a language which does not have any definite meaning, a transrational language" that "allows for fuller expression" whereas, he maintains, the common language of everyday speech "binds". [15]
Futurism (Italian: Futurismo [futuˈrizmo]) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city.
The Manifesto of Futurism (Italian: Manifesto del Futurismo) is a manifesto written by the Italian poet Filippo Tommaso Marinetti, published in 1909. [1] In it, Marinetti expresses an artistic philosophy called Futurism , which rejected the past and celebrated speed, machinery, violence, youth, and industry.
The Futurist Manifesto is evoked towards the end of Pratella's manifesto, as he reiterates Futurism's pursuit of the rebellion of the life of intuition and feeling and the exaltation of the past at the expense of the future. He calls for the young composers to have the 'hearts to live and fight, minds to conceive, and brows free of cowardice.'
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Lyrics in sheet music. This is a homorhythmic (i.e., hymn-style) arrangement of a traditional piece entitled "Adeste Fideles" (the original Latin lyrics to "O Come, All Ye Faithful") in standard two-staff format for mixed voices. Play ⓘ Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a ...
Futurism was an important influence upon Lewis's Vorticist philosophy. [16] Vorticism, named by Pound, was founded with the publication of Blast, to which Pound was a major contributor. An advertisement promised Blast would cover "Cubism, Futurism, Imagisme and All Vital Forms of Modern Art”. Blast was published only twice, in 1914 and 1915.
Luigi Russolo (1885–1947) was an Italian painter and self-taught musician. In 1913 he wrote The Art of Noises, [2] [3] Russolo and his brother Antonio used instruments they called "intonarumori", which were acoustic noise generators that permitted the performer to create and control the dynamics and pitch of several different types of noises.