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  2. Frank Daniel - Wikipedia

    en.wikipedia.org/wiki/Frank_Daniel

    Film screenwriter, Teacher František " Frank " Daniel (April 14, 1926 – February 29, 1996) was a Czech - American screenwriter, film director and teacher. He is known for developing the sequence paradigm of screenwriting, in which a classically constructed movie can be broken down into three acts, and a total of eight specific sequences. [ 1 ]

  3. Sequence (filmmaking) - Wikipedia

    en.wikipedia.org/wiki/Sequence_(filmmaking)

    In film, a sequence is a scene or a series of scenes that form a distinct narrative unit to advance the narrative, usually connected either by a unity of location or a unity of time. [1] Each of these sequences might further contain sub-sequences. It is also known by the French term, "plan séquence".

  4. Category:Timeline templates - Wikipedia

    en.wikipedia.org/wiki/Category:Timeline_templates

    [[Category:Timeline templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Timeline templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.

  5. Filmmaking - Wikipedia

    en.wikipedia.org/wiki/Filmmaking

    Filmmaking or film production is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission.

  6. Storyboard - Wikipedia

    en.wikipedia.org/wiki/Storyboard

    In the case of interactive media, it is the layout and sequence in which the user or viewer sees the content or information. In the storyboarding process, most technical details involved in crafting a film or interactive media project can be efficiently described either in a picture or in additional text.

  7. French impressionist cinema - Wikipedia

    en.wikipedia.org/wiki/French_impressionist_cinema

    David Bordwell has attempted to define a unified stylistic paradigm and set of tenets. [1] Others, namely Richard Abel , criticize these attempts and group the films and filmmakers more loosely, based on a common goal of "exploration of the process of representation and signification in narrative film discourse."

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