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A Willson 2900 euphonium, a professional model commonly used in American service bands. The euphonium repertoire consists of solo literature and parts in band or, less commonly, orchestral music written for the euphonium. Since its invention in 1843, the euphonium has always had an important role in ensembles, but solo literature was slow to ...
The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
Brian Leslie Bowman (born July 22, 1946) is an American virtuoso euphonium artist and music professor who, among other things, held the principal euphonium chair and was a featured soloist with the premier concert bands of the United States Navy and Air Force. On March 28, 1976, Bowman performed the first euphonium recital at Carnegie Hall. [1 ...
During this time he held the principal euphonium position of the National Youth Brass Band of Great Britain. David went on to the Royal Northern College of Music, where he studied with Steven Mead, graduating in 2000. In July 2000 he was appointed as principal euphonium of the Black Dyke Band. [2] He left the band at the end of 2010.
Goff Richards' Pilatus, Aagaard-Nilsen's Concerto for Euphonium and Orchestra, Reeman's Sonata for Euphonium and Ellerby's Euphonium Concerto were all written expressly for Mead. [4] [5] [6] He is married to Misa Mead (née Akahoshi) who is also a renowned euphonium soloist, additionally active as a freelance composer and orchestrator. [7]
Dr. Louder was a euphonium soloist with the New Columbian Brass Band as well as the assistant conductor and soloist with Leonard B. Smith's Detroit Concert Band. In addition to these roles he played principal euphonium and was the featured soloist with Keith Brion's New Sousa Band and The Cleveland Orchestra Blossom Festival Band.
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Arthur W. Lehman (September 24, 1917 – June 19, 2009) was a widely recorded American euphonium virtuoso and soloist. He was noted for having radically changed the way the instrument was technically performed, and was a major influence on euphonium soloists who followed him.
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