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His best-known choral work is his motet for Michaelmas, Factum est Silentium, a dramatic work which describes the War in Heaven depicted in Revelation 8:1 and Revelation 12:7–12: [4] Factum est silentium in caelo, Dum committeret bellum draco Cum Michaele Archangelo. There was silence in heaven When the dragon fought with the Archangel Michael.
" Verbum caro factum est" ("The Word became flesh") is a sacred motet for six voices by Hans Leo Hassler. The Latin text is taken from the prologue to the Gospel of John . The voices are divided into two groups of three that sing antiphonally in the Venetian polychoral style .
The Prodigal’s Song for divided upper voices & organ (commissioned by Daniel Hyde (organist) and Jesus College, Cambridge) The Song of Guthlac for TTBB, percussion, harp & strings; The Stable Carol for divided soprano voices & organ; The Twenty-Third Psalm (The Lord is my Shepherd) for SATB unaccompanied (written for the Winchester Consort)
Et verbum caro factum est And the Word was made flesh. Et habitavit in nobis And dwelt among us. [Ave Maria, gratia plena, Dominus tecum, benedicta tu in mulieribus, et benedictus fructus ventris tui, Jesus.] [Hail Mary, full of grace, the Lord is with Thee; blessed art thou among women, and blessed is the fruit of thy womb, Jesus.]
Chapel in the Linz Cathedral Anton Bruckner's choral setting. Locus iste is the Latin gradual for the anniversary of the dedication of a church (Missa in anniversario dedicationis ecclesiae), which in German is called Kirchweih. [1]
"I make free adults out of children by means of books and a balance." motto of St. John's College in Annapolis, Maryland, and Santa Fe, New Mexico facta, non verba: deeds, not words: Frequently used as motto factum fieri infectum non potest: It is impossible for a deed to be undone: Terence, Phormio 5/8:45 falsus in uno, falsus in omnibus
The song was the prominent hymn for the first Sunday of Advent for centuries. It was used widely in organ settings by Protestant Baroque composers, most notably Johann Sebastian Bach, who also composed two church cantatas beginning with the hymn. Later settings include works by Max Reger, Brian Easdale and Siegfried Strohbach.
This list provides examples of known textual variants, and contains the following parameters: Hebrew texts written right to left, the Hebrew text romanised left to right, an approximate English translation, and which Hebrew manuscripts or critical editions of the Hebrew Bible this textual variant can be found in. Greek (Septuagint) and Latin (Vulgate) texts are written left to right, and not ...