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His best-known choral work is his motet for Michaelmas, Factum est Silentium, a dramatic work which describes the War in Heaven depicted in Revelation 8:1 and Revelation 12:7–12: [4] Factum est silentium in caelo, Dum committeret bellum draco Cum Michaele Archangelo. There was silence in heaven When the dragon fought with the Archangel Michael.
" Verbum caro factum est" ("The Word became flesh") is a sacred motet for six voices by Hans Leo Hassler. The Latin text is taken from the prologue to the Gospel of John . The voices are divided into two groups of three that sing antiphonally in the Venetian polychoral style .
The Prodigal’s Song for divided upper voices & organ (commissioned by Daniel Hyde (organist) and Jesus College, Cambridge) The Song of Guthlac for TTBB, percussion, harp & strings; The Stable Carol for divided soprano voices & organ; The Twenty-Third Psalm (The Lord is my Shepherd) for SATB unaccompanied (written for the Winchester Consort)
Blair Sanderson suggests that a seminary in the Spanish city of Logroño invited the monks to record a vinyl album of chant in order to popularize it among churchgoers, and that most of the music was recorded around 1980, while there is a greater proportion of music recorded in the 1970s in the follow-up album Chant II.
Et verbum caro factum est And the Word was made flesh. Et habitavit in nobis And dwelt among us. [Ave Maria, gratia plena, Dominus tecum, benedicta tu in mulieribus, et benedictus fructus ventris tui, Jesus.] [Hail Mary, full of grace, the Lord is with Thee; blessed art thou among women, and blessed is the fruit of thy womb, Jesus.]
Translation Notes faber est suae quisque fortunae: every man is the artisan of his own fortune: Appius Claudius Caecus; motto of Fort Street High School in Petersham, Sydney, Australia fac et spera: do and hope: motto of Clan Matheson: fac fortia et patere: do brave deeds and endure: motto of Prince Alfred College in Adelaide, Australia fac simile
The song was the prominent hymn for the first Sunday of Advent for centuries. It was used widely in organ settings by Protestant Baroque composers, most notably Johann Sebastian Bach, who also composed two church cantatas beginning with the hymn. Later settings include works by Max Reger, Brian Easdale and Siegfried Strohbach.
Chapel in the Linz Cathedral Anton Bruckner's choral setting. Locus iste is the Latin gradual for the anniversary of the dedication of a church (Missa in anniversario dedicationis ecclesiae), which in German is called Kirchweih. [1]