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Johann Wolfgang von Goethe [a] (28 August 1749 – 22 March 1832) was a German polymath, who is widely regarded as the greatest and most influential writer in the German language. His work has had a profound and wide-ranging influence on Western literary , political , and philosophical thought from the late 18th century to the present day.
When Goethe completed Werther, he likened his mood to one experienced “after a general confession, joyous and free and entitled to a new life”. For Goethe the Werther effect was a cathartic one, freeing himself from the despair in his life. [3] The book reputedly also led to some of the first known examples of copycat suicide. The men were ...
Goethe dictated schemes and drafts for Dichtung und Wahrheit, after he had finished his Theory of Colours, in summer 1810 in Carlsbad. [2] He first worked on the autobiography in parallel to his work on Wilhelm Meister's Journeyman Years; from January 1811 on, the autobiography became his main endeavor. [2]
Although Goethe does not introduce the eternal feminine until the last two lines of the play, he prepared for its appearance at the outset. "Equally pertinent in this regard", writes J. M. van der Laan, "are Gretchen and Helen, who alternate with each other from start to finish and ultimately combine with others to constitute the Eternal-Feminine" [1] At the beginning of Part I, Act IV, Faust ...
Goethe considered this an 'artificial experience' which 'tears' individual manifestations out of the meaningful context of the whole (e.g., Newton's color hypothesis). Instead, Goethe's experimenter must adopt a more living, more humane, approach aspiring to enter into the living essence of nature, as perceived in the phenomenon studied.
West–östlicher Divan (German: [ˈvɛst ˈœstlɪçɐ ˈdiːvaːn] ⓘ; West–Eastern Diwan) is a diwan, or collection of lyrical poems, by the German poet Johann Wolfgang von Goethe. It was inspired by Goethe's readings of the Persian national poet Hafez.
Goethe's "Der Zauberlehrling" is well known in the German-speaking world. The lines in which the apprentice implores the returning sorcerer to help him with the mess he created have turned into a cliché, especially the line "Die Geister, die ich rief" ("The spirits that I summoned"), a simplified version of one of Goethe's lines "Die ich rief, die Geister, / Werd' ich nun nicht los" - "The ...
Mephistopheles and Margaretta is a 19th-century wooden double sculpture featuring two images carved on opposite sides; it portrays two characters from German playwright Johann Wolfgang von Goethe's 1808 play Faust. The obverse depicts the demon Mephistopheles, and the reverse depicts a woman, Margaretta (Margaret, or Gretchen). A mirror placed ...