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[10] [11] Wood, ashlar blocks, and rubble were also popular materials used to make houses. [12] The mudbrick was made from clay and chopped straw. This mixture was packed into molds and then left in the sun to dry. They used mud plaster for the walls, and mud and poplar for the roof. In the Ubaid period houses would be fire clay pressed into ...
Positano became a wealthy market port from the 15th to 17th century and has only continued to grow in popularity over time. Back then they traded food such as fish and other resources. [5] Positano was a port of the Amalfi Republic in medieval times, and prospered during the sixteenth and seventeenth centuries. By the mid-nineteenth century ...
The William Watts Sherman House is a notable house designed by American architect H. H. Richardson, with later interiors by Stanford White.It is a National Historic Landmark, generally acknowledged as one of Richardson's masterpieces and the prototype for what became known as the Shingle Style in American architecture.
Ashlar (/ ˈ æ ʃ l ər /) is a cut and dressed stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones.
Core-and-veneer, brick and rubble, wall and rubble, ashlar and rubble, and emplekton all refer to a building technique where two parallel walls are constructed and the core between them is filled with rubble or other infill, creating one thick wall. [1] Originally, and in later poorly constructed walls, the rubble was not consolidated.
The 13 small [1] stained-glass panels depict scenes from the story of Sir Tristram and la Belle Isoude as told in Sir Thomas Malory's Morte d'Arthur. [2] [3] [4] They were commissioned by Walter Dunlop, a Bradford textile merchant, for a new music room to be built at Harden Grange, his house near Bingley, Yorkshire, and were designed and executed in 1862 by Morris, Marshall, Faulker & Co., the ...
The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.
Some of these buildings are in a combination of brick and stone. The towers of St Mary's church in Lübeck, the most significant Brick Gothic church of the Baltic Sea region, have corners of granite ashlar. Many village churches in northern Germany and Poland have a Brick Gothic design despite the main constituent of their walls being boulders.