Search results
Results from the WOW.Com Content Network
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
As a folk and bhajan instrument, it has been used in the Indian subcontinent for many centuries. The Kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming.
Download QR code; Print/export Download as PDF; ... Pages in category "Indian musical instruments" The following 147 pages are in this category, out of 147 total.
In Indian tradition, the ravanahatha is believed to have originated among the Hela people of Lanka during the time of the legendary king Ravana, after whom the instrument is supposedly named. The Hela people, however, had only settled in Sri Lanka around 500 BCE, and had not found any trace of an earlier civilization, only groups of tribals ...
The bowl is held under the arm holding the smaller piece in the hand of same arm. Finally, the string are plucked by the other hand while adjusting the tension of strings creating the desired sound. It is generally used in Bengali boul (folk) songs. It is one of the most ancient string instruments in eastern India.
The first of these was a mix of the sarod, veena and surbahar, developed in 1948 by Radhika Mohan Maitra. [1] [2] In 1949, Thakur Jaidev Singh, the then chief producer of All India Radio, named the instrument 'Mohan veena' after him. [3]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The madga is a north Indian version of the south Indian ghaṭam and is made from a very special clay. The maker sometimes adds some kind of metal or graphite dust to the clay which is responsible for the blue-gray appearance and for the special sound. The madga can be played similarly to the ghaṭam. Loud bass tones can be produced if one ...